越和南

简介：该影片改编自同名小说，讲述暴风雪后一名女大学生，不得不与一群陌生人困在山区一个的高速公路休息区，与世隔绝。雪上加霜的是，她发现了有人的车里藏了一个被绑架的孩子，她不得不通过一场生死决斗来找出隐藏其中的绑架者。

简介：解放初期，云南德宏地区帮独寨的景颇族姑娘黛诺从小失去父母，成为早昆山官的家奴，日夜为山官干活，受尽折磨。黛诺长大后，早昆山官要以九头牛的代价把她卖给勒乱做媳妇。黛诺不从，早昆山官把她捆在树上打得遍体鳞伤，但她毫不屈服，磨断绳索，乘机逃到山下。下山后黛诺蜷伏在傣族人的竹篱下，举目无亲，无路可走。在茫然之中，黛诺看到一辆辆解放军军车驶过，心中豁然开朗。她偷偷躲在汽车里，随车来到解放军驻地医院。医院李医生把她收留下来。　　黛诺受尽封建山官制度折磨，来到解放军这个大家庭中，第一次受到尊重，第一次感受到阶级友爱的温暖。在李医生和同志们的帮助下，她逐渐懂得了革命的道理。工作组来到景颇族的帮独寨，帮助景颇族人民进行土地改革。早昆山官表面上接受改造，暗地里破坏景颇族和解放军的关系，造谣说黛诺是解放军抢走的，使寨子里的人们不敢接近工作组。文帅老爹的孙子勒丁和黛诺一起长大，感情很好，勒丁听了谣言，信以为真也不相信工作组。　　工作组在队长王达和李医生的领导下，认真贯彻党的民族政策，以实际行动改变了景颇人的看法。李医生给董木娜的孩子看病，和寨上的受苦人一起参加劳动。不久，黛诺从医院学习回到山寨，刚到山寨就被早昆山官捆了起来，山官准备将她打死。李医生及时赶到，砍断绳索，警告早昆山官今后不许他再打骂群众、随便派工派租，欺压群众。这件事工作组给群众撑了腰，群众开始相信工作组，再也不怕早昆山官了。为与早昆山官进行斗争，山寨成立了生产组，黛诺被选为组长。生产组在黛诺和文帅老爹的领导与带领下，开田种稻，改变了当地刀耕火种的方法。早昆山官为维护自己的利益，利用迷信，阻止开田，破坏生产组。黛诺带领群众与之斗争。早昆见捣乱未成，又进行抢婚，指使勒乱把黛诺抢走，并借机煽动帮独寨和弄岗寨打冤家。　　李医生揭露了敌人的阴谋，弄岗寨的早扎山官和群众制止了勒乱的抢婚行为，并且把黛诺交给帮独寨，使两寨完满地解决了纠纷。早昆山官的阴谋，被群众当场揭露。王达同志最后宣布，政府决定彻底废除山官制度，在各村寨进行基层选举。帮独寨经过选举，建立了村政府，黛诺被选为村长。

简介：电影讲述了抗日战争时期，从小习武的爱国志士刘一明，在中共地下党的帮助下，与日寇、汉奸斗志斗勇，成功保护敌后抗日名单，并带领师弟、师妹参加八路军走上抗日战场的故事。

简介：讲述一个普通男人戴桓（丈夫、父亲、医生）与家人到澳洲度假的时候，发现酒店房间门口有一个盒子，盒子里装着一把枪、一张陌生人的照片和一条指示他杀死此人的命令——他必须在规定时间内完成任务，否则他将失去自己的家人...

简介：

简介：李梅是个不见经传的编剧，没有出名的作品， 没有成功的案例，只有自己所谓的“编剧的 坚持”和一个花心出轨的老公。 郝进军，就是这个花心的老公，他已经准备 和李梅离婚了，因为他觉得自己真正是爱着 齐盼盼的。但是，他错了，当他见到老同学 白华的时候，他又被白华的美貌吸引。 正在郝进军准备追求白华的时候，白华死了。 郝进军没有报警，因为他认为杀死白华的， 是李梅和齐盼盼其中的一人，她们也是他爱 的人。 数日后，警方发现了白华的尸体，而负责这 个案件调查的，正是郝进军的儿子——郝建 刚。他是否会查到事件的真相，面对亲情和 正义，他会作何选择。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：该片是一部三段式主题（爱和性）电影，由米开朗基罗•安东尼奥尼（《危险临界点》）、史蒂文•索德伯格（《平衡》）和王家卫（《手》）三位导演联合执导。　　《手》讲的是1960年代的香港，年轻的裁缝（张震）多年不计回报地爱着交际花华小姐（巩俐）的故事，影像华丽，充满了质感又略带伤感。《平衡》的故事发生在1950年代的纽约，广告人尼克•彭罗斯（罗伯特•唐尼）总是被春梦困扰，只得向他的心理医生珀尔（阿兰•阿金）求助，基调虽荒谬反常，却也可看成颇有自嘲意味的幽默喜剧。《危险临界线》则仍是安东尼奥尼一向关注的现代社会中的男女关系主题，哲学味道浓烈。

简介：20世纪90年代中期，一个北方名叫嘉城的小城里，从外地搬来的宁檬，转学进入了嘉城一中的文科尖子班。作为新来的班花，宁檬很快就成为了众人眼中的焦点。对此，班里的男生们欢呼雀跃，而女生们却大多表现得颇有微词，于是一场令人啼笑皆非，而又略带青涩的高中校园“宫斗”大戏，就此稀里糊涂的开演了！　　正是那个青春叛逆的芳华，正是那个情窦初开的季节，正是那个对一些似懂非懂的年纪……大方倩丽的宁檬，阳光帅气的孙雷，活泼可爱的安芯，淘气捣蛋的马超，工于心计的徐丽丽，痞气十足的社会青年乔飞龙……或许在这些鲜活的角色中，就会有你、有我，也有他或她当年的影子！

简介：本片讲述了小白龙饰演（炎昊天）避雷针饰演（阳伟）等三个小混混原本是本地上的地痞流氓，在偶然一次机遇下遇到了周诗琪饰（Hellenic），炎昊天对hellen一见钟情，为了获得心爱之人芳心而屡次表白期间闹出一系列的笑料，在追逐真爱的过程中主人公炎昊天发现hellen是一家集团的千金小姐，正在追查一件关于集团食品中被人掺售毒品的案件，为了和心爱之人走的更近一些炎昊天主动帮hellen参与调查，却不知道这件事后面关乎着一个巨大的犯罪集团，而毒品也被掺杂在香烟，糖果中，危险正在一步步的逼近，炎昊天和hellen却全然不知，在经过激烈的争斗之后，终于是将这群犯罪人制服，幕后黑手却一直没有出现，为了引出幕后黑手，炎昊天和hellen决定将计就计，布下了一个圈套等着幕后黑手的落网。

简介：民国时期，上海滩富豪公子郁成业在新婚之夜中毒死于新房。牵扯进案件的是一对亲生姐妹，孟小梦和孟小路。孟小梦（杨紫婷 饰）和孟小路（孙文婷 饰）从小父母双亡，二人流落街头被祝家富商收做丫鬟，然而祝家父子心怀不轨，借机凌辱了孟小梦，孟小梦对男人深恶痛绝，开始对妹妹小路产生不伦情感。祝家父子对小路下手，小 梦刺伤二人，带小路逃离，失散。　　数年后孟小梦化名白梦，成为著名歌手，随即再遇将要结婚的孟小路，对妹妹的特殊感情，让她不相信妹妹的未婚夫郁成业，决定用自己做诱饵让妹妹知道世上没有好男人，她成功了，也失败了，郁成业陷入情网，孟小梦也同样爱上郁成业。二人不能结合，郁成业和小路结婚当夜，为了证明爱情，自杀而死。三人纠缠的孽缘以悲剧收尾。

简介：Every year, 310 killings in France go unsolved, leaving the victims' crushed families in a state of endless grief. The French judicial system is implacable there's no money to continue investigating cases that lead nowhere. Hunting down murderers to help bereaved families get justice is more than just a job, it's a duty for Thomas Bareski, a retired, hotshot police detective. A wandering, footloose, nature-loving soul who lives out of his van, Thomas Bareski isn't just a one-of-kind man, he's also an extraordinary police officer who's ready to upend his way of life to fulfill his mission.